RED DSMC V5.2 Especificaciones Pagina 132
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Valorado. / 5. Basado en revisión del cliente
955-0002_v3.2, Rev-A1 COPYRIGHT © 2012 RED Digital Cinema
131
SYNC MODE
Allows the shutter timing (scan start) to be synced to an external signal.
Available options are OFF, GENLOCK, SHUTTER, INTERNAL, PROXY, and SLAVE. Default is Off.
OFF – Shutter start time is defined by internal camera timing.
GENLOCK – Shutter start time is slaved to an external RS170A tri-level sync signal .a.k.a. “Genlock”.
SHUTTER – Shutter start time is slaved to an external Shutter Sync signal.
INTERNAL – Not implemented at this time.
PROXY – Not implemented at this time.
SLAVE – Not implemented at this time.
IMPORTANT: If Sync > Genlock mode is selected, DO NOT set fps to higher than 72fps, and to a
speed NOT a multiple of the project base rate and genlock input.
- TABLE OF CONTENTS 2
- DISCLAIMER 4
- COMPLIANCE 5
- JAPAN STATEMENTS 6
- BEFORE YOU START 8
- THEORY OF OPERATION 11
- MAGIC MOTION™ 13
- AUDIO RECORDING 13
- LINE LEVEL ANALOG INPUTS 14
- VIDEO MONITORING OUTPUTS 14
- RED LCD / BOMB EVF 15
- DIGITAL MAGAZINE (MEDIA) 16
- METADATA 17
- CLIP NAMING CONVENTIONS 17
- SMPTE TIMECODE 19
- POWER CONSUMPTION 19
- CAMERA OPERATIONAL CONTROLS 20
- SIDE HANDLE 23
- Side Handle Controls - Front 24
- Side Handle Navigation Group 26
- INSTALLATION / REMOVAL 27
- DSMC MODULES 29
- Install the Adapter Plate 31
- Rotate Module Down Until 33
- Flush with Adaptor 33
- Rotate Lock Clockwise 34
- Until Red Dot Lines Up 34
- Press Module Flush 34
- DISPLAYS 37
- TOUCHSCREEN LCD 38
- BASIC OPERATION 39
- QUAD BATTERY MODULE 40
- REDVOLT AND REDVOLT XL 40
- BACKPACK QUICKPLATE 41
- AC POWER ADAPTOR - (DSMC) 42
- EXTERNAL DC POWER 43
- POWER UP 44
- POWER DOWN 45
- GUI Display Elements 46
- NAVIGATING MENUS 53
- USING TOUCHSCREEN LCD 54
- TOUCHSCREEN SHORTCUTS 55
- ATTACH POWER SOURCE 58
- PREPARING TO RECORD 60
- ADJUST PROJECT SETTINGS 62
- RECORDING 64
- MENU CONTROLS 66
- ADVANCED SETTING MENUS 67
- MAIN MENU 68
- BASIC SETTINGS 69
- ADVANCED SETTINGS 69
- ISO (SENSITIVITY) 70
- EXPOSURE 72
- WHITE BALANCE 75
- RESOLUTION 78
- REDCODE 78
- SECONDARY MENUS 79
- FOCUS MENU 80
- LENS INFORMATION DISPLAY 88
- EXPOSURE MENU 89
- PRESETS MENU 89
- On Camera 91
- S-SSD\Presets 92
- LOOKS PRESETS 93
- MEDIA MENU 94
- EJECT MEDIA 95
- UTILITIES 96
- SETTINGS MENU 97
- Minimum Exposure 98
- Maximum Exposure 98
- Super White (IRE 105-107) 100
- Super White (IRE 108-109) 100
- 01:17:06:16 105
- PROJECT 112
- SYSTEM STATUS 115
- AUDIO/VIDEO 116
- CHIP CHART 122
- SMPTE BARS 122
- Key Source 124
- User Key 125
- Key Action 125
- MAINTENANCE 134
- PLAYBACK 144
- POWER STATUS 153
- SHUTDOWN 154
- UPGRADE PROCEDURE 155
- FORMATTING MEDIA 156
- COPYING MEDIA 159
- ERASING MEDIA 160
- CAMERA BRAIN FRONT 161
- Microphone Input Connector 162
- CAMERA BRAIN REAR 163
- HD-SDI 164
- HEADPHONE 165
- SYNC (VIDEO SYNC) 165
- PIN SIGNAL DESCRIPTION 166
- 1 GROUND Common Ground 166
- CTRL (RS232 CONTROL) 168
- GIG-E (ETHERNET) 169
- DC IN (POWER INPUT) 170
- HDMI OUT 171
- SIDE SSD MODULE 172
- REDMOTE 173
- 174 174 175
- CONTROLS 176
- REDMOTE Navigation Group 178
- OPERATION 179
- POWER UP / DOWN 180
- UPGRADING REDMOTE FIRMWARE 194
- OVERVIEW 207
- CAMERA SETUP 207
- CONNECTING CAMERAS 209
- UNDEREXPOSURE (~ 2 STOPS) 211
- ISO 800 - False Color: Video 212
- OVEREXPOSURE (~ 2 STOPS) 213
- APPROPRIATE EXPOSURE 216
- ADJUSTING THE ISO RATING 219
- APPENDIX H: POST-PRODUCTION 221
- REDCINE-X 222
- APPENDIX I: MAINTENANCE 223
- BACK FOCUS ADJUSTMENT 225
- APPENDIX J: TROUBLESHOOTING 228
- 228 228 229
- CAMERA BRAIN DIMENSIONS 230
- 230 230 231
- Top View 232
- Bottom View 232
- 232 232 233
- APPENDIX L: RESOLUTION CHART 234
- APPENDIX M: MENU MAPS 235
- RED EPIC 236
- RED DIGITAL CINEMA 240
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